松浦 知也 Matsuura Tomoya
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| cssclasses | type | author | editor | title | date | citekey | tags | ||||
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conferencePaper | Holbrook, Ulf; Rudi, Joran | Torre, Giuseppe | Computer music and post-acousmatic practices: International Computer Music Conference 2022 | 2022-07-03 | holbrook2022 |
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[!Cite] Holbrook, Ulf, とJoran Rudi. 2022. 「Computer music and post-acousmatic practices: International Computer Music Conference 2022」. Proceedings of the International Computer Music Conference, ICMC 2022, 編集者： Giuseppe Torre, 140–44. International Computer Music Conference, ICMC Proceedings. San Francisco: International Computer Music Association. https://icmc2022.files.wordpress.com/2022/09/icmc2022-proceedings.pdf.
[!Synth] Contribution::
Related::
[!md] FirstAuthor:: Holbrook, Ulf
Author:: Rudi, Joran
~> FirstEditor:: Torre, Giuseppe
~
Title:: Computer music and post-acousmatic practices: International Computer Music Conference 2022
Year:: 2022
Citekey:: holbrook2022
itemType:: conferencePaper
Publisher:: International Computer Music Association
Pages:: 140-144
[!LINK]
Holbrook et al. - Computer music and post-acousmatic practices.pdf.
[!Abstract]
This short paper considers the practices of computer music through a perspective of the post-acousmatic. As the majority of music is now made using computers, the question emerges: How relevant are the topics, methods, andconventions from the “historical” genre of computer music? Originally an academic genre confined to large mainframes, computer music’s tools and conventions have proliferated and spread to all areas of music-making. As agenre steeped in technological traditions, computer music is often primarily concerned with the technologies of its own making, and in this sense isolated from the social conditions of musical practice. The post-acousmatic is offeredas a methodological perspective to understand technology based music, its histories, and entanglements. .
Notes
ポストアクースマティックとコンピューター音楽という言葉の結びつきについて検討する論文
From its inception and up until today, computer music composers have sought and gained new tools, and have shifted their methods towards uses of high-level software on computers and portable tablets. Most newer tools abstract the signal processing routines and variables, making them easier to use while removing the need for understanding the underlying processes in order to create meaningful results.
これも結構欺瞞では？
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