From 7ebe80fff1127479af6a1f2542dc1621dc56e19b Mon Sep 17 00:00:00 2001 From: =?UTF-8?q?=E6=9D=BE=E6=B5=A6=20=E7=9F=A5=E4=B9=9F=20Matsuura=20Tomoy?= =?UTF-8?q?a?= Date: Mon, 27 Jan 2025 02:59:26 +0900 Subject: [PATCH] [obsidian] vault backup: 2025-01-27 02:59:26[ --- content/Any Sound You Can Imagine - Paul Theberge.md | 2 ++ content/private | 2 +- 2 files changed, 3 insertions(+), 1 deletion(-) diff --git a/content/Any Sound You Can Imagine - Paul Theberge.md b/content/Any Sound You Can Imagine - Paul Theberge.md index 0d60b849..1b5e8779 100644 --- a/content/Any Sound You Can Imagine - Paul Theberge.md +++ b/content/Any Sound You Can Imagine - Paul Theberge.md @@ -7,6 +7,8 @@ date: "2024-01-05T17:15:38+0900" [[越領域的イノベーション]] +> Lacking adequate knowledge of the technical system, musicians increasingly found themselves drawn to prefabricated programs as a source of new sound material. As I have argued, however, this assertion is not simply a state ment of fact; it also suggests a reconceptualization on the part of the industry of the musician as a particular type of consumer.(p89) + 2023年にその後を振り返る論文が出ている（[[Jonathan Sterne]]のAIマスタリング関係とかに言及あり） [Any Sound You Can Imagine: Then and now | Intellect](https://intellectdiscover.com/content/journals/10.1386/jpme_00115_1) \ No newline at end of file diff --git a/content/private b/content/private index 1396b39d..ebb9feac 160000 --- a/content/private +++ b/content/private @@ -1 +1 @@ -Subproject commit 1396b39dca12fd61d062c366e79130956ce1452f +Subproject commit ebb9feacba3e9536c2c95ea6360f89a2635ce187