tomoyanonymous/icmc-2025
1
0
Fork 0
Code Issues Pull Requests Actions Packages Projects Releases Wiki Activity

updated from proofreading

Browse Source
This commit is contained in:
松浦 知也 Matsuura Tomoya
2025-04-23 10:11:30 +00:00
parent 65557cd118
commit eb7b867bdd
7 changed files with 349 additions and 314 deletions
Download Patch File Download Diff File Expand all files Collapse all files

12
abstract.tex
View File

@@ -1,2 +1,10 @@
This paper critically reviews the history of programming languages for music, distinct from computer music as a genre, by drawing on discussions from sound studies. The paper focuses on the universalist assumptions around pulse-code modulation and the Unit Generator concept established by the MUSIC-N family, which established a lineage of role between composers and scientists which tends to turn
composers into consumers. The paper concludes that programming languages for music developed after the 2000s present alternatives to the often-invisible technological infrastructures surrounding music, such as formats and protocols, rather than solely aiming to create novel musical styles.
This paper critically reviews the history of programming languages for
music, distinct from computer music as a genre, by drawing on
discussions from sound studies. The paper focuses on the universalist
assumptions around pulse-code modulation and the Unit Generator concept
established by the MUSIC-N family, which established a lineage of role
between composers and scientists which tends to turn composers into
consumers. The paper concludes that programming languages for music
developed after the 2000s present alternatives to the often-invisible
technological infrastructures surrounding music, such as formats and
protocols, rather than solely aiming to create novel musical styles.