From 8d946609fb3dbc4beba0aee05ba78aae4e820d82 Mon Sep 17 00:00:00 2001 From: =?UTF-8?q?=E6=9D=BE=E6=B5=A6=20=E7=9F=A5=E4=B9=9F=20Matsuura=20Tomoy?= =?UTF-8?q?a?= Date: Fri, 17 Jan 2025 23:32:25 +0900 Subject: [PATCH] [obsidian] vault backup: 2025-01-17 23:32:25[ --- content/Do we still need computer music?.md | 16 ++++++++++++++++ content/private | 2 +- 2 files changed, 17 insertions(+), 1 deletion(-) create mode 100644 content/Do we still need computer music?.md diff --git a/content/Do we still need computer music?.md b/content/Do we still need computer music?.md new file mode 100644 index 00000000..93306dbf --- /dev/null +++ b/content/Do we still need computer music?.md @@ -0,0 +1,16 @@ +--- +date: 2025-01-17 22:54 +--- +#scrap #computermusic + +Do We Still Need Computer Music? [[Eric Lyon]] (Talk given at EMS 2006, Beijing) + +[Do\_We\_Still\_Need\_Computer\_Music.pdf](https://disis.music.vt.edu/eric/LyonPapers/Do_We_Still_Need_Computer_Music.pdf) + +> A possible criticism of our instrumental definition of computer music is that it is stylistically agnostic. + +> For this reason a distinction between category and genre is critical. + +[[やや弱いコンピュータ音楽]] で書いたことの前提は人通りまとまっている + +これむしろ逆の感想を抱いたな、完全にstyle-agnosticな形でコンピューター音楽を定義する方が有益な議論を導けるように思える diff --git a/content/private b/content/private index 75e9bd96..99c5bd37 160000 --- a/content/private +++ b/content/private @@ -1 +1 @@ -Subproject commit 75e9bd96d4dc403974bd46c08efbb156d0bcff93 +Subproject commit 99c5bd37b13e050d89ccedc0185f92cf4cc249ac