[obsidian] vault backup: 2024-02-24 23:55:35[

content/Any Sound You Can Imagine - Paul Theberge.md

@@ -4,3 +4,5 @@ date: "2024-01-05T17:15:38+0900"
 #book 
 
 [[Paul Theberge]]
+
+[[多セクター的イノベーション]]

content/Pink Noises - Women on Electronic Music and Sound.md

@@ -0,0 +1,53 @@
+---
+cssclass: research-note
+type: "book"
+author: "Rodgers, Tara"
+title: "Pink Noises: Women on Electronic Music and Sound"
+date: 2010-01-01
+citekey: rodgersPinkNoisesWomen2010
+tags:
+- research
+- book
+---
+
+> [!Cite]
+> Rodgers, Tara. 2010. _Pink Noises: Women on Electronic Music and Sound_. Duke University Press. [https://doi.org/10.2307/j.ctv1134dqn](https://doi.org/10.2307/j.ctv1134dqn).
+
+>[!Synth]
+>**Contribution**:: 
+>
+>**Related**:: 
+>
+
+[online](http://zotero.org/users/12014264/items/UQWWJ25T) [local](zotero://select/library/items/UQWWJ25T)
+ 
+>[!md]
+> **FirstAuthor**:: Rodgers, Tara  
+~    
+> **Title**:: Pink Noises: Women on Electronic Music and Sound  
+> **Year**:: 2010   
+> **Citekey**:: rodgersPinkNoisesWomen2010  
+> **itemType**:: book  
+> **Publisher**:: Duke University Press  
+> **ISBN**:: 978-0-8223-4661-6    
+
+> [!LINK] 
+>.
+
+> [!Abstract]
+>
+> Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, "performance novels," sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns. Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
+>.
+> 
+# Notes
+
+イントロでFenderでピックアップを作っていた女性工員についての言及がある。多分[[“Queen of Tone” Abigail Ybarra Talks Fender History and 57 Years of Pickup Winding|Abigail Ybbara]]のこと？
+
+
+# Annotations%% begin annotations %%
+
+
+%% end annotations %%
+
+
+%% Import Date: 2024-02-24T23:11:38.176+09:00 %%

content/“Queen of Tone” Abigail Ybarra Talks Fender History and 57 Years of Pickup Winding.md

@@ -0,0 +1,6 @@
+
+#scrap 
+
+February 23, 2017
+
+https://sheshreds.com/abigail-ybarra-issue-11/

content/サイボーグ宣言-Donna J. Haraway.md

@@ -0,0 +1,12 @@
+---
+date: "2024-02-08T15:53:17+0900"
+---
+#book 
+
+
+
+「猿と女とサイボーグ 自然の再発明」(2017新装版)　[[Donna J. Haraway]]　[[高橋さきの]]訳
+
+p377
+
+> 書くことは、まさしくサイボーグの技術であり、二○世紀後半のエッチングされた表面である。サイボーグのポリティクスは、ことばばを求める闘いであり、完璧なコミュニケーションに対する闘い––すベての意味を完璧に翻訳する一つの暗号という男根中心主義のセントラル・ドグマに挑む闘い––である。であればこそ、サイボーグのポリティクスはノイズに固執し、汚染を擁護して、動物や機械との非摘出の融合に歓喜する。こうしたことは、大文字の男性と女性に混乱を持ちこむような接合のしかたであり、欲望––ことばばやジェンダーを生成する存在として想定されている力––の構造を覆し、

content/多セクター的イノベーション.md

@@ -0,0 +1,8 @@
+---
+date: "2024-02-08T15:53:17+0900"
+---
+#notion 
+
+Multisectorial-Innovation：IC技術が商業向けデジタルシンセサイザーの実現に繋がったように、他分野に影響を与えながら発展するイノベーションのこと
+
+

content/想像しうる音を、すべてあなた（たち）に-音楽の道具としてのパーソナル・コンピューター論概説.md

@@ -82,6 +82,8 @@ DAW、ストリーミングサービス、イマーシブオーディオ、人
 
 [[ノイズ - ジャック・アタリ]]
 
+[[Pink Noises - Women on Electronic Music and Sound]]
+
 ## メモ
 
 2スライドに1つくらいのペースで参考文献を挟んでいきたい