mastodon-to-bluesky/example.json

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"content": "\u003cp\u003eどうしてもフェミニズムにおけるReproductionというワードの使われ方とのマッチングが気になってきてるのもあり、「再生産」より「繁殖」の方が「歴史の中を生き延びる」という意味合いが付加され、メディアと歴史を論じる上では適切なように思える\u003c/p\u003e",
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"ja": "\u003cp\u003eどうしてもフェミニズムにおけるReproductionというワードの使われ方とのマッチングが気になってきてるのもあり、「再生産」より「繁殖」の方が「歴史の中を生き延びる」という意味合いが付加され、メディアと歴史を論じる上では適切なように思える\u003c/p\u003e"
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"content": "\u003cp\u003eSound Reproduction Technologyを「音響繁殖技術」と訳すのはどうだろうか\u003c/p\u003e",
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"ja": "\u003cp\u003eSound Reproduction Technologyを「音響繁殖技術」と訳すのはどうだろうか\u003c/p\u003e"
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"conversation": "tag:social.matsuuratomoya.com,2024-03-03:objectId=9203770:objectType=Conversation",
"content": "\u003cp\u003eというか、諸々Social Construction of Technologyについておさらいした状態で「聞こえくる過去」を読むと、かなーり音響メディアにおけるSCOTの教科書的書き方だなと思うまあ、読みづらいんだけど…。もちろん、当時の類似書の中では資料の掘り下げ度合いがすごいんだけど、書き振り的にはキャロリン・マーヴィン「古いメディアが新しかった時」がかなり下敷きになってる印象を持った実際何度も引用されてる。\u003c/p\u003e",
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"ja": "\u003cp\u003eというか、諸々Social Construction of Technologyについておさらいした状態で「聞こえくる過去」を読むと、かなーり音響メディアにおけるSCOTの教科書的書き方だなと思うまあ、読みづらいんだけど…。もちろん、当時の類似書の中では資料の掘り下げ度合いがすごいんだけど、書き振り的にはキャロリン・マーヴィン「古いメディアが新しかった時」がかなり下敷きになってる印象を持った実際何度も引用されてる。\u003c/p\u003e"
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"conversation": "tag:social.matsuuratomoya.com,2024-03-03:objectId=9203769:objectType=Conversation",
"content": "\u003cp\u003e1800年代の「発明家」の生態が実際どんなもんだったのかまだはっきり分かってないなと「聞こえくる過去」読み返してて思う。ベルとエジソンもそうだが、自分にとってはバベッジもそうだな\u003c/p\u003e",
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"ja": "\u003cp\u003e1800年代の「発明家」の生態が実際どんなもんだったのかまだはっきり分かってないなと「聞こえくる過去」読み返してて思う。ベルとエジソンもそうだが、自分にとってはバベッジもそうだな\u003c/p\u003e"
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"content": "\u003cp\u003e障害の医学モデルと社会モデルの話は比較的浸透してきたほうだと思うけど、手話に関しては文化言語モデルというポストコロニアルに近い視点が導入されてるという話が、実際私も知らなかったのでもっと共有されていいと思ってる(「ろう者学とソーシャルワーク教育」p29、2022年、高山亨太、生活書院)\u003c/p\u003e",
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"ja": "\u003cp\u003e障害の医学モデルと社会モデルの話は比較的浸透してきたほうだと思うけど、手話に関しては文化言語モデルというポストコロニアルに近い視点が導入されてるという話が、実際私も知らなかったのでもっと共有されていいと思ってる(「ろう者学とソーシャルワーク教育」p29、2022年、高山亨太、生活書院)\u003c/p\u003e"
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"content": "\u003cp\u003e\u0026quot;なぜ手話歌にモヤモヤする? 手話文化の前提を知るため、ろう者に聞いた\u0026quot;\u003c/p\u003e\u003cp\u003e\u003ca href=\"https://www.nippon-foundation.or.jp/journal/2023/97273/disability\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" translate=\"no\"\u003e\u003cspan class=\"invisible\"\u003ehttps://www.\u003c/span\u003e\u003cspan class=\"ellipsis\"\u003enippon-foundation.or.jp/journa\u003c/span\u003e\u003cspan class=\"invisible\"\u003el/2023/97273/disability\u003c/span\u003e\u003c/a\u003e\u003c/p\u003e",
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"ja": "\u003cp\u003e\u0026quot;なぜ手話歌にモヤモヤする? 手話文化の前提を知るため、ろう者に聞いた\u0026quot;\u003c/p\u003e\u003cp\u003e\u003ca href=\"https://www.nippon-foundation.or.jp/journal/2023/97273/disability\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" translate=\"no\"\u003e\u003cspan class=\"invisible\"\u003ehttps://www.\u003c/span\u003e\u003cspan class=\"ellipsis\"\u003enippon-foundation.or.jp/journa\u003c/span\u003e\u003cspan class=\"invisible\"\u003el/2023/97273/disability\u003c/span\u003e\u003c/a\u003e\u003c/p\u003e"
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"content": "\u003cp\u003eMVの話、手話の実態が理解されてないのに加えて、「聞こえてない聴者の音楽文化に全く関われてない」という思い込みも同じくらい原因の一端だと思う。\u003cbr /\u003e口話主義を引き継いだ音楽の授業とかのせいで音楽自体にあまりいいイメージを持てない当事者も実際いる一方、筑波技大で授業したときにカラオケ行ったりドームにライブ見に行ったりしてるという学生の話を一人や二人ではなく聞いて驚いたのが去年の11月。\u003cbr /\u003e世代によって幼児期からの人工内耳の装着率が大幅に変わってたり、補聴器/人工内耳とスマホの連携がここ数年で強くなってるのもあって、ろうのコミュニティの中でも実態が把握しきれてないのでは、という話もした。アカデミアのやるべきこともまだまだたくさんあるので頑張りたい\u003c/p\u003e\u003cp\u003e\u003ca href=\"https://ccbt.rekibun.or.jp/research-notes/musical-device-project-01#i6\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" translate=\"no\"\u003e\u003cspan class=\"invisible\"\u003ehttps://\u003c/span\u003e\u003cspan class=\"ellipsis\"\u003eccbt.rekibun.or.jp/research-no\u003c/span\u003e\u003cspan class=\"invisible\"\u003etes/musical-device-project-01#i6\u003c/span\u003e\u003c/a\u003e\u003c/p\u003e",
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"ja": "\u003cp\u003eMVの話、手話の実態が理解されてないのに加えて、「聞こえてない聴者の音楽文化に全く関われてない」という思い込みも同じくらい原因の一端だと思う。\u003cbr /\u003e口話主義を引き継いだ音楽の授業とかのせいで音楽自体にあまりいいイメージを持てない当事者も実際いる一方、筑波技大で授業したときにカラオケ行ったりドームにライブ見に行ったりしてるという学生の話を一人や二人ではなく聞いて驚いたのが去年の11月。\u003cbr /\u003e世代によって幼児期からの人工内耳の装着率が大幅に変わってたり、補聴器/人工内耳とスマホの連携がここ数年で強くなってるのもあって、ろうのコミュニティの中でも実態が把握しきれてないのでは、という話もした。アカデミアのやるべきこともまだまだたくさんあるので頑張りたい\u003c/p\u003e\u003cp\u003e\u003ca href=\"https://ccbt.rekibun.or.jp/research-notes/musical-device-project-01#i6\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" translate=\"no\"\u003e\u003cspan class=\"invisible\"\u003ehttps://\u003c/span\u003e\u003cspan class=\"ellipsis\"\u003eccbt.rekibun.or.jp/research-no\u003c/span\u003e\u003cspan class=\"invisible\"\u003etes/musical-device-project-01#i6\u003c/span\u003e\u003c/a\u003e\u003c/p\u003e"
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"updated": "2024-03-02T15:13:02Z",
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